Showing posts with label Francesca Lia Block. Show all posts
Showing posts with label Francesca Lia Block. Show all posts
Sunday, February 10, 2013
Sweetheart #7
Hello Friends, this here is a scan of my teenage dream fanzine, Sweetheart #7, put out in Summer 1995. Thanks for reading!
Tuesday, February 5, 2013
Interview with writer Francesca Lia Block
photo by Nicolas Sage photography |
What
inspired you to recently write the Weetzie Bat prequel Pink
Smog, when the novel that introduced the character was written over 20
years ago?
I live with those characters
almost every day because I've been writing and re-writing a WEETZIE screenplay
for years and because my readers often send me Weetzie inspired images and
stories. It felt natural to return to the characters and I always wanted to
write about the 1970's, since most of my work takes place in the 80's, 90's and
2000's.
Over
the years I’ve seen a lot of references to your work, often in the form of
people using the slang your characters use in the Dangerous Angels series; if
you google “Witch Baby, “Secret Agent Lover Man” or “Slinkster,” for instance,
the search yields jewelry collections, blogs, photos of people dressed up like
your characters for Halloween and a garage rock band. What is the
weirdest Weetzie reference you’ve ever come across, like have you ever seen a
hotdog named after Slinkster Dog or met a couple who legally changed their
names to Duck and Dirk? Have you ever heard of any one naming a child
after one of your characters?
Wow,
I'd love to meet a hotdog named Slinkster or a couple named Dirk and Duck.
I haven't met a kid named Witch Baby or Weetzie which is probably a good
thing.
Would
you ever write another sequel to your science fiction novel Ecstasia?
No, but I always thought those
novels would make interesting films. If I were to write them today I"d
make them contemporary magical realism rather than straight fantasy.
I’m
excited to read your most recent novel The Elementals; is your next book
another adult novel or a return to Young Adult literature, and is it hard to
draw the line between the two? How do you draw that line? What do
you consider inappropriate for young adults that you enjoy writing about in
novels intended for adults?
It's an adult book. I don't think
much about the differences as I'm writing. THE ELEMENTALS is a darker book with
fairly graphic sexuality and an ambiguous ending so it might not work for
some younger readers but some of my more mature teen readers would like it, I
think. I try not to worry about what is appropriate or not and just write
a strong story, then let others decide how to publish and distribute it.
Has
there been a resolution to your Bank of America mortgage woes yet, and if not,
is there anything that your fans can do to help? Is there any petition
people can sign online or anything like that?
Thank you! Thanks to my readers and
friends and the power of the internet, I got my first loan modified and am now
working on the second. For anyone in the same position, let me just say this:
Twitter is your friend!
I’ve
often heard people theorize that artistic talent is something that a person is
born with and can’t be taught. As a writing teacher, do you find
that to be true?
It can be taught! If you have
the burning desire to create you can learn the tools to make something
beautiful and powerful. The key here is the burning desire. That
can't be taught.
If
you hadn’t become a writer, what do you think you’d be doing professionally
right now?
I always wanted to be a therapist. I
also love fashion design. My latest interest is publishing so that I can
get my students' work out there after I've helped them hone it.
Do
you have a favorite character of yours? If so, who? I think all of
your fans that I’ve known over the years have loved Witch Baby best, by the
way.
I love Witch Baby and I'm grateful
to Weetzie for opening the door that let me in to the world of publishing.
Currently I'm kind of loving Pen from my upcoming novel LOVE IN THE TIME
OF GLOBAL WARMING.
When
do you know that a novel you’ve written is done?
When my editor tells me?
Years
ago when I interviewed you when I was a teenager (in 1993 I think) I asked you
if there was ever going to be a Weetzie Bat movie, and it was a maybe. Do
think there ever will be one, and if so, who would you cast as the main
characters?
My screenplay has been optioned so
we'll see. My dream cast keeps changing, getting too old. I used to want
Joseph Gordon Levitt for My Secret Agent Lover Man. In the 80's I wanted Winona
Ryder or Patricia Arquette for Weetzie. I like Elle Fanning and Chloe
Moretz now. They are young but by the time it gets made...?
What is your least favorite thing
about Los Angeles?
Freeways,
but I don't drive them very often, and almost never at rush hour. Air
quality, but it's better than when I grew up here. The fact that it's
difficult to meet people sometimes, especially if you work at home but I've
started meeting some kindreds through my teaching at UCLA extension, Antioch
and privately.
Friday, February 1, 2013
is this a review? 30 rock ends, the office winds down, i weep
a young Liz Lemon |
In a further dissection of my obsession with
plotlines and constant various forms of entertainment, I have just got to say holy shit, what a bummer about last
night’s NBC primetime line up of the final episode of 30 Rock and 2 new
episodes of the Finale season of The Office.
I HATE when stories I like come to an end. It makes me so nervous to get to the end of things,
sometimes, that it’s like a physical thing; I got a nervous stomach ache
shortly before these 2 ending shows that I’ve loved for years came on last night, and I wanted
to ask my husband if we could not watch them, but I was brave (how crazy to use
that word in reference to watching sitcoms!) and watched them anyway, and
thanks to that, today I’m fixating on the passage of time all day and how it’s
impossible to time-travel, how I’m getting inexorably older every second, etc. –
I was all excited to do my blog this morning and I wanted to send interview
requests to David Johansen, Patti Smith, Tavi Gevinson, and a famous writer I knew when I was a teenager, Francesca Lia Block. Then I thought, “if I’m going to interview
Tavi Gevinson, I should catch up on her blog first before sending her a request”
so I looked through her 2 blogs Rookie and Style Rookie, and it was spirit-dampening and a wake
up call that I’m not a teenager -- her blog is so vivid, and successful! - she already has an interview with Francesca Lia Block on her blog. Tavi, who is 16, feels things so passionately, the way I did when I was a
teenager, and I feel some similarities between her current life and my teen years. This young woman is pretty seriously famous for what she does, which is to creatively explore her own youth, through
fashion, her blogs, installation art and other media – she’s been on Jimmy
Kimmel to promote a book of her blog entries, and I learned about her from
reading a NY Times profile, just to cite a couple examples of her fame (which must be an overwhelming phenomenon for such a young person!). I was
nowhere near as famous of course when I was her age, but I was in a band that
got a modicum of attention, like enough to have fans that came from other counties
to see us play and to receive a fan letter here or there, and my long-running
zine got me a bit of notice, too. Also, Tavi seems to be friends with a lot of grown ups who are also her patrons and helpers, and that was my situation as well. My grown ups admired my creative output, the way I admire
Tavi’s, but they’d also wistfully say things about how I should watch out or I might
peek creatively in my teens, and that my creative energy was going to burn out
a bit because teens are just crazy emotional creative psychos and even if they
think these qualities are gonna last forever, they don’t. anyway, the thrust of this little detour is
that I’m old as shit and wish that i could freeze time or time travel like Billy Pilgrim does in Slaughterhouse 5. And what got me
focusing on all of this today is having to see the characters in 30 Rock and
The Office go through changes last night.
I love to watch movies and shows and read novels because I love to
escape from reality, but I feel a real let down when they end. When Pee Wee’s Playhouse was on tv when I was
a kid, it’d make me so overexcited sometimes I’d jump on the furniture while
watching it. But oh when Pee Wee says bye to
the audience at the end of each episode, and the pretty closing credits soundtrack starts and you see him
riding his bike across many beloved monuments, it made me so sad that the show
was over for another weekend that I would sometimes cry or change the channel
before the end. And Harry
Potter: Deathly Hallows 2 … that shit
was DEVASTATING. I saw it in a really
expensive theater that lets you reserve your seats in advance online because I wanted
to make sure I had a good seat, and I was moodily pregnant at the time, so I weeped
like you wouldn’t believe, but even if I hadn’t been pregnant, it still would
have been almost too emotional to see those little magical kids all grown up
and some of them being killed by bad guys and then to see their years-long
adventure come to an end. I wanted Harry
Potter movies to be made literally forever.
And with 30 Rock, it’s almost hard to believe that the characters I was
invested in are dead now. I can’t write
about it as well as Matt Zoller Seitz does in his write up "The 30 Rock Finale Dared Us Not to Cry, and Knew We'd Fail," which I actively sought out this
morning because I wanted to read something that’d help me digest the fact of the show ending!
I love 30 Rock but I LOVE The
Office. I still get chills when I think
about the moment when Pam and Jim first kiss.
I feel like people judge this show’s writing unfairly harshly and that
it’s because the show is so consistently funny that people take it for granted. I don’t understand people’s
disloyalty and critical eye when it comes to something they like, and I always
hear people say that The Office should have ended already, but people also say
that the Stones are too old to keep touring, and why do people want to hate on
longevity? Even though the Stones haven’t
written good music since the early 80’s, I can’t imagine a funner thing to do
in one’s sixties than being a physically fit rock star who travels the world
getting laid and adored and being creative and rich. And with The Office, why should they have
stopped already? The writers have
developed Andy from a joke to the new Jim, wistful-romantic-wise (when he
wanted but couldn’t have Erin), to a hilarious asshole, while Dwight has gone from the
antagonist to a lovable naif who has grown childishly attached to his
former nemesis Jim, and the co-workers as a group started out as mutually
indifferent acquaintances at first (for the most part), like my real life, but
after so many seasons, the characters are all written to have a near-familial relationship
to each other, to the point where actually doing work isn’t a part of the day
anymore, and I wish my job was like that!
But also, it’s just a really sweet show, with an obviously smart and
liberal voice, and an absurdist edge, and I love it. But (SPOILER ALERT) last night’s two new
episodes go further in wrapping up the characters’ stories by taking Jim and
Pam (the show’s former romantic centerpiece), and separating them from each other
more and more, as Jim leaves her part time to work at his dream job in Philly, and
he’s revealed to be sort of obnoxious (he used to be the hero), and we find out
that one of the documentary crew members in the faux documentary framework of
the show has fallen in love with Pam over the 7 years he’s been following her around. I’m totally uneasy at the prospect of the
plot becoming this postmodern, because postmodernism is too trendy (as is
disregarding postmodernism in favor of sincerity they way I’m doing right now),
plus I want a happy ending for everyone, since that doesn’t happen in real
life, where things aren’t ever resolved but instead go through happy and sad
mutations that end only when a person dies.
Can someone promise me a show or film franchise that lasts literally forever?
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